osmosisLIZA

---> making sense of the movement between

Monday, November 28, 2011

space_24

beyond the field

december 2009

☕

Posted by Unknown at 8:02 AM No comments:

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Labels: (dis)location, (mis)place, cornered, crossroad, echo, g(r)asp, indication mark, outside in, separating lines, viewpoint

space_23

classification

february 2009

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Posted by Unknown at 7:53 AM No comments:

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Labels: because of, becoming, bucket, crossroad, dis(infect), frame of mind, g(r)asp, insides out, layers, noose, peril, responsibility, salty liquid, shadow of me, viewpoint

Thursday, November 24, 2011

space_22

frozen moment

march 2011

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Posted by Unknown at 9:29 AM No comments:

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Labels: (dis)location, (mis)place, g(r)asp, indication mark, over-exposed, tag, taking form, unseeing

space_21

looking for love

december 2009

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Posted by Unknown at 6:56 AM No comments:

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Labels: a hollow muscular organ, becoming, eyeball, frame of mind, noose, over-exposed, salty liquid, tag, viewpoint

Friday, November 18, 2011

space_20

where they fall

march 2009

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Posted by Unknown at 1:45 AM No comments:

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Labels: big bad wolf, bucket, insides out, me you, over-exposed, salty liquid, walls

space_19

shaping

january 2009

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Posted by Unknown at 1:17 AM No comments:

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Labels: because of, becoming, covering, insides out, outside in, taking form

Wednesday, November 9, 2011

space_18

the apparent line

january 2010

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Posted by Unknown at 8:25 AM No comments:

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Labels: ebb and flow, frame of mind, peril, salty liquid, separating lines, unseeing, viewpoint

Tuesday, November 8, 2011

space_17

herstory

december 2009

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Posted by Unknown at 7:46 PM No comments:

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Labels: becoming, crossroad, echo, frame of mind, over-exposed, viewpoint, walls

space_16

able'd differently

july 2010

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Posted by Unknown at 9:28 AM No comments:

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Labels: because of, becoming, frame of mind, indication mark, insides out, over-exposed, pangs of conscience, responsibility, shadow of me, solo, viewpoint

space_15

feelings of lightness

july 2009

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Posted by Unknown at 9:14 AM No comments:

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Labels: a hollow muscular organ, because of, crossroad, ebb and flow, echo, frame of mind, insides out, looking glass, tag, tattooed

Friday, November 4, 2011

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Posted by Unknown at 7:02 AM No comments:

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Labels: because of, becoming, crossroad, eyeball, frame of mind, gaze, indication mark, looking glass, me you, pangs of conscience, responsibility, viewpoint

Wednesday, November 2, 2011

space_13

numbed fingers


september 2009

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Posted by Unknown at 9:58 AM No comments:

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Labels: a hollow muscular organ, becoming, bucket, g(r)asp, indication mark, muted, peril, relevant fingers, under-exposed

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(b)lock (14)
(dis)location (19)
(mis)place (20)
a hollow muscular organ (23)
antennas (11)
because of (45)
becoming (30)
big bad wolf (13)
bucket (14)
cornered (6)
covering (7)
crossroad (25)
dis(infect) (18)
ebb and flow (29)
echo (30)
eyeball (7)
frame in a frame (4)
frame of mind (41)
g(r)asp (29)
gaze (10)
hang(ing) (10)
indication mark (32)
insides out (34)
intuition (11)
layers (11)
looking glass (22)
me you (22)
muted (11)
noose (19)
outside in (15)
over-exposed (17)
pangs of conscience (16)
peril (21)
relevant fingers (16)
responsibility (25)
salty liquid (16)
separating lines (34)
shadow of me (33)
sightless (14)
solo (28)
tag (30)
taking form (27)
tattooed (11)
tear(s) (16)
under-exposed (13)
unseeing (22)
viewpoint (33)
walls (16)

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13 years ago
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borrowed pixels 1-5
13 years ago

Who am "I" as "eye" move between spaces?

This blog is the practical component for my Masters, a self-study of osmosisliza, importantly the visual text that runs alongside my written component. From cyberspace I send you 98 electronic postcards about my journey as a junior lecturer where I acted as a tourist in my life searching to articulate an identity as an artist, mentor and researcher of photographies (2009-2012). Electronic postcards are diptyches about the fluctuating movement between spaces of being and not feeling like artist in my place of work. From my everyday life I make snapshots with a Panasonic Lumix. In these snapshots I use metaphoric objects and symbols to explain my feelings of dissonance and dislocation in my working environment. To reflect and remedy, I trace the negetive spaces with pink in another illustrative image that sits below the snapshot. These are the spaces where I am poetically pausing, feeling and thinking about how I can belong.